Poetic Pathways into Prayer
A spiritual & physical navigation
of St Giles by Dr Julian Davies.
On entering the church,
please take a seat.
John Milton (1608-1674) the poet, although
more connected with St Giles Cripplegate, for
a time lived in this parish. In 1647 he brought
his daughter Mary to be baptized in the second
church on this site. For Milton baptism into the
Christian faith gave visible expression to one's
entry into the grace of God which he outlined
in Paradise Regained, the restoration to that
state of well-being from the chaos of the fall,
which he had written of in Paradise Lost. Milton
wrote of Christ's nativity, 'But peaceful was
the night, Wherein the prince of light, His reign
of peace, Upon this earth began'.
What might it mean for yourself and for others
if you accepted Jesus Christ's offer of peace
and forgiveness?
Proceed to the left-hand
side of the church and sit half- way down.
When we acknowledge Jesus' claims about himself
and when we decide to follow Him, we find that
our lives become renewed and we see others and
the world around us in a different light. 'He
gave us the eternal spring, which here enamels
everything'. So wrote John Milton's associate
and secretary, the poet Andrew Marvell
(1621-1678). He lived a few streets away from
the church, and it was here that he was buried
in 1678. The tablet to his memory is to be found
on the north wall to your left.
Spend some moments giving thanks for the wonder
of God's creation and re-creation, as well as
those things which we so often take for granted,
pondering Marvell's words: 'Oh let our voice
His praise exalt, Till it arrive at Heaven's Vault'.
Notice the cream coloured
pulpit on your left.
This is the pulpit from which John and Charles
Wesley often preached at West Street Chapel. When
the chapel was closed what remained of the pulpit
was brought here. Although hardly ever remembered
for his poetry, Charles Wesley (1707-1788)
wrote over six thousand Christian poems, many
of which were put to music as hymns and carols.
These include some of our most popular such as
Hark the Herald Angels Sing, Love Divine All
Loves Excelling and Jesus Lover of My Soul.
Thanks to the Christian missionary endeavour,
these hymns have become woven into the fabric
and identity of different countries. They have
often become the means by which people have celebrated
major landmarks in their journey of life.
Think back over your journey, its landmarks,
the high times and low times, and ponder what
you have learned about yourself and others.
Behind the model of the church notice
the large block of stone, formerly a Roman monument.
This is the monument to the poet George Chapman
(1559-1634), which was previously outside in the
churchyard where he was buried. He was the first
person to translate the works of Homer into English.
The monument has been weathered by long-exposure
to the elements.
Take time to contemplate your own mortality and
the precious gift of life, and the need to be
responsible for our use of time. We take much
for granted and miss many of life's opportunities.
We all experience the fragility and vulnerability
of life but often don't learn from them.
Let us consider this, and our own need to face
the realities of existence, reflecting upon the
words of Chapman in that 'There's no danger
to a man that knows what life and death is'.
Move now to the right-hand
side of the church and take a seat.
Near to the lectern on the right hand side lies
buried Chapman's contemporary Edward Herbert
of Chirbury (1582-1648), whose monument survives
beneath in the crypt of the church. He was ambassador
to France and a poet in his own right although
not as well known as his brother, the cleric George
Herbert. He did not share the Christian assurance
of the faith that his brother possessed, but nevertheless
believed in the existence of God, and that God
had established basic principles in all human
beings by which they should live. Many of his
poems deal with human love, and its variability.
In his 'Ode upon a question moved whether Love
should continue for ever?', he pictures a
world needing the return of its Creator to put
it to right, a world 'strew'd with flow'rs
for the return of the wish'd Bridegroom of the
earth'.
You might like to pray for the coming of God's
kingdom of love upon earth as it is in heaven.
Next sit near the font
at the back of the right-hand aisle.
In 1818 in this font were baptized William and
Clara, children of Percy Bysshe Shelley
(1792-1822) on the same day as Clara Allegra,
the daughter of Lord Byron (1788-1824).
Both Shelley and Byron wrestled with questions
which only a Christian faith could resolve. Both
recognized that however often Jesus' followers
might betray His message, the witness of His own
life and actions remains compelling. In Hellas,
Shelley wrote of how the self-sacrifice of Jesus
had influenced the course of human history and
placed it within its divine context: 'While
blazon'd as on heaven's immortal noon, The cross
leads generations on'. Byron similarly saw
something powerful in the message of Christ, while
reacting against religious hypocrisy. He said
that 'if I ever become a Christian, I would
not be a luke-warm one'.
There are many like Shelley and Byron who are
searching, and who have questions to which they
have not found the answers, but who feel drawn
to find out more about the person of Jesus Christ.
Ponder what questions you carry with you today,
and how the Christian message might help to address
them.
Look now towards the communion-table
facing you in the right-side aisle.
'God's gifts put man's best dreams to shame'.
So wrote Elizabeth Barret (1806-1861) echoing
perhaps the words of St Paul that 'no eye has
seen, no ear has heard what God has prepared for
those who love Him'. While we hang on to desperate
remedies, God wants to open before us the never
ending treasury of abundant life. We play in a
pool of water forgetting that the ocean lies beyond.
In 1845, it was before the communion table (previously
in St Marylebone Church) which you can see in
the south aisle that she married Robert Browning
(1812-1889) a wedding which constituted a triumph
of love over so many obstacles. Reflecting upon
the way in which God operates in His world, her
husband wrote that 'God is the perfect poet'.
If God were to draw upon the empty pages of your
book, what might be the results? Allowing God
to take control may appear threatening, but contemplate
what would be the benefits of allowing God to
compose your life in ways that would be best for
you and for others? Who can say that they are
in control of their life anyway? How do you read
others and how do they read you? Is it perfect
poetry or not? What lasts…and for eternity?
Whilst you are in the area you might like
to visit the Poetry Café which is situated within
the parish in Betterton Street, and which is also
the base for the Poetry Society. Website: www.poetrysociety.org.uk
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